Like Rebecca, the romantic comedy Bridget Jones’s Diary is an adaptation of an adaptation. Specifically, this film directed by Sharon Maguire is based on Helen Fielding’s “chick lit” novel of the same name. Fielding has always been open about her inspiration from Jane Austen’s Pride and Prejudice. Even further, Fielding admitted inspiration specifically from the 1995 BBC miniseries with its ironic Mr. Darcy played by Colin Firth. Like Joan Fontaine in both Rebecca and Jane Eyre, Colin Firth’s casting in Bridget Jones’s Diary emphasizes the similarities between the modern adaptation and the original novel. Fielding herself wrote the film’s screenplay with help from Richard Curtis and also Andrew Davies, the award-winning scribe from the BBC miniseries itself.
The story’s plot focuses on the Darcy/Lizzie/Wickham love triangle. Renee Zellweger in her Oscar-nominated leading role is the loose equivalent of Elizabeth Bennett, but she feels less like the specific character and more like a modern Everywoman who frets about her weight, listens to sappy pop music during certain moods, and dreads becoming a spinster – unlike Lizzie, who is less concerned about what others think and who initially says she will never marry. It is interesting to note that female protagonists in modern re-imaginings of literature tend to be less strong and confident than the originals. It is counterintuitive, but generally true: Elizabeth is a much stronger character than Bridget Jones, Jane Eyre is more confident than the second Mrs. DeWinter in Rebecca, and Elizabeth is again much more active than Bella Swan in Twilight.
One thing she does have in common with Elizabeth, however, is her verbal wit and tendency to make unfounded assumptions about people – good or bad. Set up by their parents at a New Year’s gathering, Bridget and the lawyer Mark Darcy reluctantly meet. Bridget immediately judges Mark Darcy by his ugly reindeer sweater. While Mr. Darcy does not call the protagonist “tolerable” this time around, he does call her “a verbally incontinent spinster who smokes like a chimney, drinks like a fish, and dresses like her mother.” His character is considerably different from the other Mr. Darcy, however. Instead of the easily handsome original, his character takes on the role of the less obviously attractive “nice guy” who does not have the same way with women as his rival.
Bridget further lowers her opinion of Mr. Darcy upon hearing Daniel Cleaver’s story about their past friendship, without hearing Darcy’s side which is, of course, the true side. She knows theoretically that he is everything that can go wrong in a relationship, but she falls for him anyway. Pride and Prejudice adaptations have tended to cast Mr. Wickham as an afterthought; Mr. Darcy and Mr. Bingly seem to get the most attention with Wickham as a side plot. Here, however, Hugh Grant brings out all this character’s charisma and seductive personality. Like Colin Firth, he contributes a familiarity to Austen material: he played Samuel Faulker in the 1995 adaptation of Sense and Sensibility.
With emphasis on these three characters, Bridget/Lizzie’s siblings are noticeably missing. Family relationships are important in the original Pride and Prejudice, but Bridget Jones’s Diary reflects more modern times where families are smaller and more separated. Bridget is an only child who lives alone. She has several close friends, but it is not the same, and at times she finds herself belting along with the radio about being “all by myself.”
However, in many ways, Bridget’s mum (Gemma Jones) takes on the roles of Mrs. Bennett and Lydia Bennett. Besides trying to set up her daughter with suitors, she herself runs off with a lover – an infomercial salesman – and causes a scandal for her poor taste if not for her obvious betrayal of marital vows. This conglomeration is not simply an expedient way to touch on two different characters, but a method of interpretation connecting the novel’s Mrs. Bennett and Lydia Bennett. In Austen’s book, the mother is just as ditzy as the daughter. Mrs. Bennett was probably like Lydia as a child, and Lydia will probably grow up to be like Mrs. Bennett. When Bridget’s mum comes home, her husband admits he should have been more attentive to her – highlighting Mr. Bennett’s similar weakness from the novel.
A few other supporting characters touch on loose similarities with the characters. Mary Bennett is reflected in one of Bridget’s friends, a gay ‘80s one-hit wonder pop singer who thinks he is more famous than he really is. Bridget has a creepy coworker Mr. Fitzbergert who flirts and makes passes at her, somewhat like Elizabeth Bennett’s repulsive cousin Mr. Collins.
In terms of tone and atmosphere, Bridget Jones’s Diary picks up on some of Jane Austen’s sarcastic style with the voiceovers. While having lots of narration is usually a very basic screenwriting no-no, Bridget’s thoughts add wit and personality to the BAFTA-nominated script. They also serve to satirize the social rules.
The 21st Century does not have the same repressive mores lampooned in Jane Austen’s time period, but it does have “The Rules,” contemporary conventional wisdom and double standards for women’s dating behavior. Rather than breaking them from the outset, as Lizzie Bennett would, Bridget Jones initially plays by these rules. She worries about her weight, even though she is not fat. She lures Daniel Cleaver by pretending she to ignore him, trying not to come across as “too available.” She pretends she wants to go home in order to get sex with him. She agonizes over which underwear to put on. Meanwhile, Mr. Darcy finds himself falling for Bridget’s supposed awkwardness; like Elizabeth Bennett, Bridget has a playful disposition which is much more interesting and fun than that of his boring professional girlfriend Natasha.
Needless to say, The Rules do not work for Bridget – Daniel still does not stay with her. From then on, Bridget tries to be more confident. She throws away a book called What Men Want and replaces it with another self-help book, How To Get What You Want. Of course, the self-help books and increased exercise are still part of the film’s gentle satire of therapeutic, self-improvement society. Bridget ultimately gets beyond these things as well and learns to accept herself. Instead of ignoring Mr. Darcy, she unabashedly runs outside in her underwear – finally able to let go and embrace a sort of autonomy that is not so easily embarrassed.
Bridget Jones’s Diary is primarily a loose Chick Lit adaptation instead of an educational film to be analyzed. It is all good fun – but familiarity with its inspiration, the 1995 Pride and Prejudice, is needed to fully appreciate this movie’s context and humor.
Sources:
Internet Movie Database
PopMatters.com
No comments:
Post a Comment